Hate Crime Analysis free essay sample

When thinking about hate crime the first thing that would come to mind is crimes against an individual based on the color of their skin. Most often this will be between Blacks and Whites. However there are many other factors that can subject to being a victim of hate crime. This essay will aim to highlight some of these for a specific group citing specific examples of a hate crime, restorative justice models that can be applied to the group. It will also further go on to explain the benefits and challenges with the use of that particular restorative model, along with a contemporary research method that could be used to measure the victimization of this particular group. Finally an attempt will be made to link the victimization of this group with the criminological theories currently being studied. A group of people who often face hate crimes are Muslims. Although not as popular as some other forms of hate crime that frequent newspapers or news stations. We will write a custom essay sample on Hate Crime Analysis or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page It is also one that in some ways has become a taboo subject when it is brought up around some politicians, community leaders, and private citizens. One of the main factors that have put the Muslim community in the firing line for hate crime is the events of September 11 2001. The leaders and perpetrators behind the attacks were Muslims and as such the religion has taken a brunt of the fallout for the attacks. Statistic by the FBI in 2011 shows that 12. 5% of hate crime of a religious cont want aimed at Muslims (U. S. Department of Justice-Federal Bureau of Investigation, 2012). One example of such crime is that of Mark Stroman in 2001. Stroman on September 21st 2001 walks into a gas station and opened fire on individuals he believed were muslins and Arabs (Somanader, 2011). Stroman killed two people and seriously injured another. However, only two of Stromans victims were actually Muslims (Somanader, 2011). Stroman, after admitting his crime has since been sentenced to death by a Texas court. Another example of hate crimes against Muslims was the attack on Bashir Ahmad, who was the victim of a stabbing by an unknown assailant in November 2012. A devout Muslim, basher was attacked outside a Mosque in Queens, New York by the assailant. Bashir suffered multiple stab wounds in the attack as well as verbal abuse from the perpetrator (Chinese, 2012). Both these offense are just a few of the hate crimes against Muslims that actually get reported. There are many more examples such as these that go unreported and as such do not reflect in any statistics that exist on hate crimes against Muslims. One common thing between the two attacks is that both victims do not hold and sort of ill feeling towards their attackers. They both accept that their religion has been placed in the firing line by the action of some of the more radical believers in the religion, which is not a true depiction or representation of what the religion is about. And both have stayed steadfast and true to their religion despite the attacks. Thinking about restorative justice models that could be applied to this group one would have to lean towards education. The aim of restorative justice is to give the victims a voice and hope to stop future acts from being committed. To address the issue of hate crimes, the source of the problem must be identified. Such as what makes the group/individual a target and them work toward setting in place the necessary elements that could counteract hate crimes against them. Some of the elements include the following: * Education: By educating specific individuals and populations that ere underserved to recognize and report hate crime. As well as the educating those who commit hate crime about the religion/group they are targeting. * Assist Victims: Helping victims to identify and access services that are available to them as victims of a hate crime. These resources could be cultural or linguistic. * Advocate for community: In order to reduce hate crime in the community there must be programs that advocate for the victims and the community. * Recognition: The depth of the problem must be recognized by leaders within the community and addressed accordingly through funding increase programs in the community. These are just a few ways that the Los Angeles County Commission has put forward for restoration justice for hate crimes (The Hate Crime Victim Assistance and Advocacy Initiative, n. ). Partnering with local police departments would also be a way to incorporate restorative justice. As with any other justice models there will be benefits and challenges. The benefits of the suggested elements above are, many will benefit from the extended knowledge provided through education. There will be an increase in understanding on the part of the victim and the offender that will hopefully reduce the hate and increase tolerance. Challenges that may arise would be how to get the two groups to sit and talk amicably. It would also be a challenge to figure out what would break the ice between the two groups that would make understanding each other much easier. In order to measure the victimization of Muslims a suggest research instrument that would be recommend is the use of qualitative and quantitative research. These could be in the form of surveys that uses both figures and in-depth question that would allow the researcher to have an idea of what percentage of the community is affected. The in depth question would further allow the researcher to determine the reasons behind the attack and the effect the attack had in the victim (Kraska amp; Neuman, 2008). One of the most applicable theories that could be applied to explain the victimization of this particular group is the conflict theory. Emerging from the labeling theory the conflict theory would best explain why this particular group would fit in theory. This theory aims to give minority groups a voice through the movements such as the civil rights movement and other movement that fought for equality (Williams amp; McShane, 2010). Even though this is an argument about religion, some inequality exists in the way the Muslims are treated throughout the United States. To conclude, like many other groups Muslims have the right to express and practice their religion without experiencing any repercussions. However because of the acts of a few individuals the entire Muslim community suffers. Despite the challenges that arises from attempts to find restorative justice for the victims of hate crime the courage and understanding shown to the attackers by the two victims mentioned earlier should be admired. It is also an example of how knowledge, time and education can change the minds and hearts of the most hardened offender in hate crimes as with the case of Mark Stroman, who changed his prospective on Muslims after the surviving victim from his attack fought to save him from execution.

Homage or parody Essays

Homage or parody Essays Homage or parody Essay Homage or parody Essay As DePalmas career in film spans from the 60s to the present day, it would be impossible to refer to his entire body of work in detail, therefore this essay will focus particularly upon two of his notable works from the 1970s, Phantom of the Paradise (DePalma, 1974) and Carrie (DePalma, 1976), with reference to other films where appropriate, and will focus upon themes of identity, particularly regarding gender identity and a comparison regarding the levels De Palma presents identity on from the personal to the mass identity of the music industry. The common themes that feature in the majority of his films centre upon the exploitation of a protagonist who is presented as vulnerable in one way or another (Mateuse, 1977). In Phantom of the Paradise, Winslow is grossly mistreated by music mogul Swan, who takes his music for his own uses and then casts Winslow aside. Like Winslow in Phantom of the Paradise, Carrie is seen as victimized, by both her popular and pretty classmates and her religious fanatic mother. At the end of both films, the protagonists find retribution, and destroy the worlds that have corrupted them although along with this, they destroy themselves. DePalma often depicts the horror genre as a carnal affair (Lewis, 2008), as his films often carry ideas of sexuality, and particularly sexual identity. The way women are presented is often in a highly sexualised manner. This is very true in Phantom of the Paradise, the girls auditioning are overlooked for their talent and ability, and instead we see them parading their sexuality. The audition room is actually a large round bed area, with scantily-clad women writhing around touching each other. Rather than seeming manipulated and exploited, the women seem to be happy with their position. Later on, they are dressed in bikinis sitting on a car for the show rehearsal, when the car explodes. As discussed by Lewis (2008), DePalma often shows brutal violence being dealt towards women such as the dream scene of brutal rape and murder that opens his 1980 film Dressed to Kill. The mixture of the sexuality of the women and the horrific nature of their deaths result in what seems to be an underlying message that those who become aware of their sexual identity are likely to meet with a disturbing end. The same happens with Swan, another sexualised being, who takes advantage of these womens sexuality he is killed in a scene where he marries Phoenix. The name Phoenix is also an interesting point with regards to identity Strauss (1997, pp. 17-21) discusses how a persons name often relates to the way they are identified or identify themselves. A phoenix will die, and then rise out of the ashes Phoenix herself fails to audition the first time round, representative of a death in her journey toward becoming a singer. However, like a phoenix rising from the ashes, she returns and reignites her dream and in the end, is successful. Name and identity is also relevant in Carrie; when the principal repeatedly calls her by the wrong name Cassie she becomes angered and breaks the ashtray on his desk. If he were to address her correctly, he would therefore be acknowledging her as the person she is. Instead, he is rejecting the knowledge of her name, and according to Strauss theory of name and identity, therefore rejecting the person that she is. Returning to the discussion of Phantom of the Paradise, Phoenix plays an important role in the film, and her own identity is challenged and changed throughout the film narrative. When Winslow first meets her at the auditions, she is repulsed by what she is asked to do, and insists all she wants to do is sing. However, when she first sings in front of an audience, we see a change in her, particularly through the line Ill do anything you want, just give me that crowd again (DePalma, Phantom of the Paradise, 1974), and then follows to behave seductively towards Swan. When given the limelight, she is becoming more powerful, and through this, sexualised, and power through sexuality is very much a theme in both films. As with Carrie, she has been given this power with Carrie, her telekinesis, with Phoenix it is acknowledgement of her voice, and this power is changing who she is as a person. Her morals are also affected early on in the film she refused to fall for Swans sexual exploitation, however we eventually see her kissing Swan, in a way that insinuates they are having a sexual relationship. A major theme in both films is these characters discovering themselves through their female identity. Throughout its history, American Hollywood cinema has relied on and reinforced the natural characteristics of women (Bathrick, 1977), dealing with the changing identity of the female and the fear this often creates in the male psyche. In the opening scenes of Carrie, DePalma creates what is perhaps an uncomfortable juxtaposition regarding Carries transformation from girl to woman. The first time we see her is in school gym clothes as an awkward, gawky schoolgirl, and then naked in the shower, with explicit close-ups of her washing her breasts and thighs. The use of these two scenes in quick succession connotes Carries position, being stuck in the stage between childhood and adulthood. The film essentially combines the horror genre with themes of female rite of passage (Citron, 1977). Indeed, the film itself could well be used as a metaphor for this stage, the self-discovery a female experiences when transcending into adolescence. Carries telekinetic powers emerge in the narrative structure of the film when we witness her experience menstruation for the first time. Her mother believes menstruation is a sign of sin, so she is unprepared for her adolescence, but this moment marks a change in Carrie. To begin with, it confuses her, and this is visually represented in the scene where she looks into the mirror and she distorts then breaks it with her telekinesis a physical, outer rending of the turmoil she feels internally about her identity, and who she is becoming. As her telekinetic power grows stronger, this coincides with her personal development she stands up to her mother and goes to the prom against her wishes. She experiments with makeup, wears lipstick, which is often symbolic of female sexuality in film, and wears a tight dress to the dance (Citron, 1977).

International Human Resource Management Essay Example | Topics and Well Written Essays - 7000 words

International Human Resource Management - Essay Example The world of internÐ °tionÐ °l business mÐ °y, of course, not involve IHRM: it is not relevÐ °nt in, for exÐ °mple, the spreÐ °d of frÐ °nchising operÐ °tions Ð °nd the growth of conglomerÐ °tes which hÐ °ve no strÐ °tegic objective of mÐ °ximizing their internÐ °tionÐ °l operÐ °tions. But for most enterprises including hotel Ð °nd hospitÐ °lity industry internÐ °tionÐ °lizÐ °tion equÐ °tes with Ð °n increÐ °singly importÐ °nt role for IHRM Ð °nd necessity to Ð °dÐ °pt HR prÐ °ctices to locÐ °l needs. Current pÐ °per is Ð °n Ð °nÐ °lysis of Seychelles’ HRM in compÐ °rison with UK. The study is bÐ °sed on the cÐ °se of Molten Hotel thÐ °t is opening on Ð °n islÐ °nd Seychelles Ð °nd requires recommendÐ °tion on HR prÐ °ctices in order to effectively mÐ °nÐ °ge the locÐ °l stÐ °ff Ð °nd reÐ °ch the profitÐ °bility on Ð ° new mÐ °rket. Molten Hotels is Ð ° leÐ °ding UK bÐ °sed hospitÐ °lity compÐ °ny, which owns Ð °nd mÐ °nÐ °ges hotels Ð °round the world, with one of the UKs best know brÐ °nd nÐ °mes. The compÐ °ny hÐ °s hotels in thirty eight countries Ð °nd dependent territories Ð °round the world, with its heÐ °d office bÐ °sed on the StrÐ °nd in London, UK. It employs Ð °round 50,000 people worldwide, Ð °nd is regulÐ °rly recognised Ð °s Ð °n employer of choice. The compÐ °ny hÐ °d totÐ °l revenues of just over three billion dollÐ °rs worldwide during the 2007 finÐ °nciÐ °l yeÐ °r, with operÐ °ting profit of Ð °round five hundred million. This put the hotel just below such globÐ °l brÐ °nd nÐ °mes Ð °s Hilton Ð °nd MÐ °rriott in terms of globÐ °l reÐ °ch, brÐ °nd recognition Ð °nd finÐ °nciÐ °l performÐ °nce. The first Molten Hotel wÐ °s founded in 1758 by John Molten in MÐ °nchester, where it wÐ °s known Ð °s Moltens Guest Ð °nd CoÐ °ch House. The hotel wÐ °s fÐ °mily owned Ð °nd run for the first hundred Ð °nd twenty yeÐ °rs until in the end of the 19th century, when Ð brÐ °hÐ °m Molten took Ð °dvÐ °ntÐ °ge of the rÐ °ilwÐ °ys thÐ °t hÐ °d sprung up Ð °cross the country to build two new hotels in